It's OK to Hate the Jews, In Fact, it's In: Caroline Glick Says it All
I am reprinting Caroline Glick's entire article originally published in the Jerusalem Post, here. Read it carefully, very, very carefully.  Then do  something--call your newspaper, talk to friends, email your contact  list--to try to enlighten the world and change the reality of which she speaks, which unfortunately is the  utter truth. How can we change this?
Three Jewish Children
Ruth   Fogel was in the bathroom when the Palestinian terrorists pounced on   her husband Udi and their three-month-old daughter Hadas, slitting their   throats as they lay in bed on Friday night in their home in Itamar.
The   terrorists stabbed Ruth to death as she came out of the bathroom. With   both parents and the newborn dead, they moved on to the other  children,  going into a bedroom where Ruth and Udi's sons Yoav (11) and  Elad (4)  were sleeping. They stabbed them through their hearts and slit  their  throats.
The murderers apparently  missed  another bedroom where the Fogels' other sons, eight-year-old  Ro'i and  two-year-old Yishai were asleep because they left them alive.  The boys  were found by their big sister, 12-year-old Tamar, when she  returned  home from a friend's house two hours after her family was  massacred.
Tamar found Yishai standing over his parents' bodies screaming for them to wake up.
In   his eulogy at the family's funeral on Sunday, former chief rabbi   Yisrael Meir Lau told Tamar that her job from now on is to be her   surviving brothers' mommy.
In a rare move, the Prime Minister's Office released photos of the Fogel family's blood-drenched corpses.
They are shown as they were found by security forces.
There was Hadas, dead on her parents' bed, next to her dead father Udi.
There   was Elad, lying on a small throw rug wearing socks. His little hands   were clenched into fists. What was a four-year-old to do against two   grown men with knives? He clenched his fists. So did his big brother.
Maybe   the Prime Minister's Office thought the pictures would shock the  world.  Maybe Binyamin Netanyahu thought the massacre of three little  children  would move someone to rethink their hatred of Israel.
That was the theme of his address to the nation Saturday night.
Netanyahu   directed most of his words to the hostile world. He spoke to the   leaders who rush to condemn Israel at the UN Security Council every time   we assert our right to this land by permitting Jews to build homes. He   demanded that they condemn the murder of Jewish children with the same   enthusiasm and speed.
He shouldn't have bothered.
The government released the photos on Saturday night. Within hours, the social activism website My Israel posted a short video of the photographs on YouTube along with the names and ages of the victims.
Within two hours YouTube removed the video.
What   was Netanyahu thinking? Didn't he get the memo that photos of murdered   Jewish children are unacceptable? If they're published, someone might   start thinking about the nature of Palestinian society.
Someone   might consider the fact that in the Palestinian Authority, anti-Jewish   propaganda is so ubiquitous and so murderous that killing the Fogel   babies was an act of heroism. The baby killers knew that by murdering   Udi, Ruth, Hadas, Yoav and Elad they would enter the pantheon of   Palestinian heroes. They can expect to have a sports stadium or school   in Ramallah or Hebron built for them by the Palestinian Authority and   underwritten by American or European taxpayers.
And indeed, the murder of the Fogel children and their parents was greeted with jubilation in Gaza.
Carnivals were held in the streets as Hamas members handed out sweets.
Obviously   YouTube managers are not interested in being held responsible for   someone noticing that genocidal Jew hatred defines Palestinian society -   and the Arab world as a whole. But they really have no reason to be   concerned. Even if they had allowed the video to be posted for more than   an hour, it wouldn't have made a difference.
The   enlightened peoples of Europe, and growing numbers of Americans, have   no interest in hearing or seeing anything that depicts Jews as good   people, or even just as regular people. It is not that the cultured,   intellectual A-listers in Europe and America share the Palestinians'   genocidal hatred of the Jewish people.
The   powerful newspaper editors, television commentators, playwrights,   fashion designers, filmmakers and professors don't spend time thinking   about how to prepare the next slaughter. They don't teach their children   from the time they are Hadas and Elad Fogel's ages that they should   strive to become mass murderers. They would never dream of doing these   things. 
They know there is a division of labor in contemporary anti-Semitism.
The   job of the intellectual luminaries in Western high society today is to   hate Jews the old-fashioned way, the way their greatgrandparents hated   Jews back in the days of the early 20th century before that villain   Adolf Hitler gave Jew hating a bad name.
Much   has been made of the confluence of anti-Semitic bile pouring out of the   chattering classes. From Mel Gibson to Julian Assange to Helen Thomas  to  Charlie Sheen to John Galliano, it seems like a day doesn't go by   without some new celebrity exposing himself as a Jew hater.
It   isn't that the beautiful people and their followers suddenly decided   that Jews are not their cup of tea (or rail of cocaine). It's just that   we have reached the point where people no longer feel embarrassed to   parade their negative feelings towards Jews in public.
A   DECADE ago, the revelation that French ambassador to Britain Daniel   Bernard referred to Israel as "that shi**y little country," was   shocking. Now it is standard fare. Everyone who is anyone will compare   Israel to Nazi Germany without even realizing this is nothing but   Holocaust denial.
The post-Holocaust dam   reining in anti-Semitism burst in 2002. As Jewish children and parents   like the Fogels were being murdered in their beds, on the streets, in   discotheques, cafés and supermarkets throughout Israel, fashionable   anti-Semites rejoiced at the opportunity to hate Jews in public again.
The collective Jew, Israel was accused of everything from genocide to infanticide to just plain nastiness.
Israel's   leaders were caricatured as Fagin, Shylock, Pontius Pilate and Hitler   on the front pages of newspapers throughout Europe. IDF soldiers were   portrayed as Nazis, and Israeli families were dehumanized.
No   longer civilians with an inherent right to live, in universities   throughout the US and Europe, Israeli innocents were castigated as   "extremist-Zionists" or "settlers" who basically deserved to be killed.
Professors   whose "academic" achievements involved publishing sanitized postmodern   versions of anti-Jewish Palestinian propaganda were granted tenure and   rewarded with lucrative book contracts.
Today,   when properly modulated, Jew hatred is a career maker. Take playwright   Caryl Churchill's 1,300- word anti-Semitic monologue "Seven Jewish   Children."
The script accuses the entire population of Israel of mass murders which were never committed.
For her efforts, Churchill became an international celebrity. The Royal Court Theater produced her anti- Jewish agitprop. The Guardian featured it on its home page. When Jewish groups demanded that The Guardian   remove the blood libel from its website, the paper refused. Instead,  it  left the anti-Semitic propaganda on its homepage, but in a gesture  of  openmindedness, hosted a debate about whether or not "Seven Jewish   Children" is anti-Semitic.
From London, "Seven   Jewish Children" went on tour in Europe and the US. In a bid to show  how  tolerant of dissent they are, Jewish communities in America hosted   showings of the play, which portrays Jewish parents as monsters who   train their children to become mass murderers.
"Seven   Jewish Children's" success was repeated by the Turkish anti-Semitic   action film "Valley of the Wolves- Palestine," which premiered on   January 28 - International Holocaust Memorial Day. The hero of that film   is a Turkish James Bond character who comes to Israel to avenge his   brothers, who were killed by IDF forces on the Turkish-Hamas terror ship   Mavi Marmara last May.
No doubt owing   to the success of "Seven Jewish Children" and "Valley of the   Wolves-Palestine" and other such initiatives, anti-Semitic art and   entertainment is a growth sector in Europe.
Last   month Britain struck again. Channel 4 produced a new piece of   anti-Semitic bile - a four-part prime-time miniseries called "The   Promise." It presents itself as an historical drama about Israel and the   Palestinians, but its relationship with actual history begins and ends   with the wardrobes. 
In what has become the   meme of all European and international left-liberal salons, the only   good Jews in the mini-series are the ones who died in the Holocaust.   From the show's perspective, every Jew who took up arms to liberate   Israel from the British and defend it from the Arabs is a Nazi.
WHAT   ALL this shows is that Netanyahu was wasting his time calling on world   leaders to condemn the murder of the Fogel family. What does a   condemnation mean? France and Britain condemned the massacre, along with   the US. Does that exculpate the French and British for their embrace  of  anti-Semitism? Does it make them friends of the Jewish state? 
And   say a British playwright sees the YouTube censored photographs. No   self-respecting British playwright will write a play called "Three   Jewish Children" telling the story of how Palestinian parents do in fact   teach their children to become mass murderers of Jews. 
And if a playwright were to write such a play, The Royal Court Theater wouldn't produce it. The Guardian   wouldn't post it on its website. Liberal Jewish community centers in   America wouldn't show it, nor would university student organizations in   Europe or America.
No, if someone wanted to  use  the photographs of Yoav's and Elad's mangled corpses and clenched   little fists as inspiration to write a play or feature film about the   fact that the Palestinians have no national identity outside their quest   to annihilate the Jewish state, he would find no mass market.
The headlines describing the attack make all this clear.
From   the BBC to CNN the Fogels were not described as Israelis. They were a   "settler family." Their murderers were "alleged terrorists."
As   far as the opinion makers of Europe and much of America are concerned,   the Yoavs and Hadases and Elads of Israel have no right to live if  they  live in "a settlement."
So too, they  believe  that Palestinians have a right to murder Israelis who serve in  the IDF  and who believe that Jews should be able to live freely  wherever we want  because this land belongs to us.
Until  these  genteel Jew haters learn to think otherwise, Israel should  neither seek  nor care if they condemn this or any other act of  Palestinian genocide.  We shouldn't care about them at all.
Comments
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